Thursday, April 19, 2012

Photographing Truth

“Afghan photos worry military” reads the front page headline in today’s Oregonian.

The headline reflects the story that follows — up to a point.

The story says that the “revelations...caught on camera” have “intensified questions within the military community about where fundamental discipline is breaking down given the nature and length of the war.”

Questions: Are the photos intensifying the questioning? Does the military require photographs before it knows what is happening within its units? Before it gets serious? Do those photographs have to be made public in order for action to be taken? What if they had never been published?

As is all too common with stories that put the heat on government institutions, the very publication of the news (in this case photographs) becomes the story. Should the Los Angeles Times have printed them? What will the publication do to the morale of our troops? Will their lives be in danger?

(THIS STORY in today's New York Times reveals that the Pentagon made an issue of the publication and tried to stop it.)

In short, the publication itself, not what it reveals, becomes the headline grabber.

Lest we forget, the outrages depicted, like those of Abu Ghraib and others (the list long), are bought and paid for by us, the taxpayer. To extend the consumer analogy, we need to know what we are buying. If it isn’t what we had in mind, we need to stop buying it.

The problem is that we are forced to buy it. We have no options. The two major political parties are identical with regard to the brazen barbarity they have allowed in the military, the intelligence agencies and contract mercenaries.

As we get farther and farther into the 2012 campaign, the candidates will lay out sharp, allegedly “defining” differences between their parties. But who will point to their troubling similarities: reliance on massive contributions from the super-rich, the need to pander to and serve the military-industrial-media complex, the defense of “justice” that is anything but, the support of covert operations at home and abroad that shred human rights and human dignity, the denial of the need for immediate, urgent action to stop global warming, the acceptance of grotesque inequality?

“Afghan photos worry military.”

What kind of photos will it take to “worry” us, the People, into changing our current unresponsive political/governmental/military/industrial system?

HERE is an example of what's possible. The short clip is called "Things Happen."

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Thursday, October 15, 2009

The Clothing of Life


Drive from mountain forest to city park.

From North Cascades vine maple

to Seattle conservatory cacti.

Life's change of clothes.




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Monday, August 10, 2009

August Garden

Where pointing and shooting always works—Portland's Japanese Garden.

















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Sunday, April 27, 2008

A Joy for Many Springs


My Hillsdale neighbor Frances Cook planted cherry and pear trees in 1952. Fifty-six years later, she says they still bring joy. Her friend T. F. Jaxen took these photos.


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Monday, March 03, 2008

A Celebratory Display


A few hundred announcements like this one will be mailed this week. As the text on the back explains, the exhibit will be at the University of Portland's Buckley Center Gallery and will feature some of my typewriters as well as student photos of them. I'll also have some information about famous authors associated with the models on display.

I hope you can find time to drop by the campus at 5000 N. Willamette Boulevard. The Gallery's hours are Monday through Friday from 8:30 a.m. to 8 p.m. and Saturday from 8:30 a.m. to 4 p.m. The dates, as you see on the card, are from Monday, March 17, to Thursday, April 10.

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Saturday, February 23, 2008

An Awakening

Lisa Lynch’s photos (See yesterday’s post, "Heavenly Training") inspired me to scoot on my trusty Milano scooter over to the Portland Japanese Garden late this afternoon with my little Olympus Stylus tucked in my pocket.

Four hours later as I was downloading the photos, the thought that kept occurring to me as I edited them was that it wasn’t fair.

It wasn’t fair that these photos should look this good with so little effort on my part.

It wasn’t fair that you might judge me to have some photographic talent. The talent is all the gardeners’, the garden designers’ and nature’s.

Where can you look in the Japanese Garden and NOT find inspiration and beauty?

It wasn’t fair that it was all so easy to bring home and share these shots.

Not fair?

Such a strange thought. We should rejoice together at our good fortune to be able to visit such a place.

I also thought of all those models or actors whom photographers or cinematographers say “love the camera.”

The Japanese Garden “loves the camera.” The feeling is mutual.

At times I thought my little camera would melt in my hands from what it was seeing.

The camera survived. And so did the photos.

Tonight I’m posting just three photos. Even before the visitor enters the garden proper and pays $8 (An awakening for $8!), this is what you see.

Imagine!

Tomorrow, I’ll share with you the sublimity inside the garden gate — as I saw it through my camera.

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Sunday, February 10, 2008

After the storm

Back from a gray but needed weekend in Manzanita, where devastation of December's storm is still much in evidence.

Downed trees, log-strewn beaches, battered houses....

As I picked my way down the littered beach with my little Olympus camera, I was drawn to both the magnitude and the minutiae of the damage.

Here is some of what I saw. I'll share more tomorrow.















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